Look, we’ve all heard plenty of artists talk about their “journey” and their “authentic self” like they just discovered fire. But Shannon Denise Evans, the brain behind SAVARRE™, actually walks the walk. Her track “Art of the Bleed” isn’t just talk—it’s proof that sometimes you have to get your hands dirty to make something worth hearing.
Evans has been grinding on both coasts for years now, juggling more creative projects – theater, screenwriting, composing—the woman’s resume is admirable. But here’s the thing: all that experience actually shows up in her music. This isn’t some weekend warrior picking up a mic for Instagram likes.
“Art of the Bleed” sounds different. The opening riff has this weight to it, like it’s carrying something heavy. The whole thing sits in this space between modern rock and something harder to define. Evans calls it spectra rock, which honestly sounds like marketing speak until you actually listen to what she’s putting out. Then it kind of makes sense.
Her voice is the main event here, no question. There’s this rawness that you can’t fake, the kind that comes from actually living through whatever you’re singing about. When she gets to those heavier moments in the song, you believe every word. That’s rarer than it should be these days.
The whole track is built around this idea of transformation being messy and painful. But Evans approaches it differently. She’s not whining about how hard change is—she’s demanding it. There’s something almost aggressive about her take on personal growth, like she’s daring the universe to try and stop her. The production quality is solid without being sterile. You can hear the grit in Evans’ voice, the attack on the strings, the actual breathing space between notes.
How Evans handles the emotional content is also noteworthy. She’s not performing pain—she’s just letting you hear it. There’s a difference, and once you know what to listen for, you can’t unhear it.
The song structure itself is smart. It builds tension in all the right places and knows when to release it. Evans’ theater background probably helps here—she understands pacing and knows how to hold an audience’s attention. The track never feels like it’s dragging or rushing, which is trickier than most people realize.
SAVARRE has been picking up steam in various outlets lately, and tracks like this make it obvious why. This isn’t music for people who want everything spelled out for them. Evans expects you to keep up, and if you can’t, that’s your problem. It’s refreshing in a world where most rock acts seem terrified of asking too much from their listeners.
If you’re looking for something that sounds like everything else on the radio, keep moving. But if you want to hear what happens when someone with actual chops decides to make music that matters, SAVARRE deserves your attention.
Stay tuned to SAVARRE™ for more updates:
